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Simple geometric shapes, such as the sphere and the cylinder, are often referenced in the execution of my work. I use color generally to attract attention to contour, but utilize very little surface decoration that would take away from the purity of the object's form. For me, the true challenge of creating an object is to give the piece a timeless presence or quality.

To achieve this, I focus on the color, shapes, and proportions of the vessels by themselves and in groups, and the way light interacts with the work. Opacity, translucency, and transparency are varied to create different impressions for each series of work. Benjamin Moore was a pioneer in American glassblowing.

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He began his apprenticeship at the Venini with Checco Ongaro working as a glassworker and was soon asked to contribute his own designs. In he brought the Italian master Lino Tagliapietra to Pilchuck. Influenced by Venetian traditions in glass, he relies on simple, clean shapes in pure color and very little surface decoration.

Benjamin Moore was a key player in establishing Seattle as a center for contemporary glass. Elected as a Council Fellow to the American Craft Council because of his outstanding commitment to his art.