Chayse irvin biography

The path toward lensing great films is even more varied than the platforms that distribute them. Based on the fact-and-fiction-blending Joyce Carole Oates novel of the same name, Blonde stands out from other biopics as a particularly pliant playground for visual interpretation.

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Working with Panavision Woodland Hills to secure a package that included a Panavised Sony Venice and PVintage optics, Irvin used a mix of aspect ratios, formats, colour, and a host of optical aberrations to breathe a life into the film that echoes what Oates achieved in her book. However, the situation in America at the time limited his aspirations and he worked as a bus driver in Detroit.

My father is a mathematician and was the top math student in Michigan. He lived in northern British Columbia after immigrating to Canada, where he led a very interesting life as the postmaster general in a small town amongst a rich Native American population. He had sled dogs and made pool tables for the local bar until he decided to study medicine at UBC.

My mother is a musician, a jazz vocalist specifically. She was part of a community of jazz players she spent time with in the studio or doing a set while still finding time to be a painter as well. It means a lot to me to know that on both sides of my family I had very creative people, one photographic and one musical. How has music influenced your approach toward the craft of cinematography?

Chase irving

Irvin: Coming from a jazz musician, the discipline is a little bit skewed. Most things are really difficult to do in that realm. Irvin: I learned a lot from others. Not through necessarily observing them on set and working, but through binge-watching films.