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Joseph haydn haydn: the creation

The symphony has been the major genre for orchestra since the eighteenth century. While its viability seemed questionable as the twentieth century waned, it still has its adherents among contemporary composers, and will probably survive, though not with the same universality and vitality as before. There, he was charged with oversight of a daunting variety of musical activities at the extensive estate of a succession of music-loving princes.

One of the happy results was the creation of over symphonies that collectively illustrate the evolution of the genre. The culmination of this remarkable achievement, of course, are the twelve so-called London symphonies that were the result of commissions that grew out of two visits to that city in and The London audiences adored Haydn, and he poured an astonishing innovative and original creativity into these mature works.

Symphony No. But, typically, too, there are some ominous moments before the scampering, rollicking allegro takes off. This is a movement of real substance, and the composer works through his material thoroughly. He really wrings it out—a wont so typical of Beethoven. And, it does smack strongly of Beethoven, if you let your imagination wander. By this time in his life, Haydn had written countless minuets, but he never let the simple form get stale on him.

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This example leaves well behind the delicate, perfume-scented dance of earlier times, and is a rather heavy, stomping affair that evokes peasant waltzes rather than the powdered wig set. The scherzos of Beethoven seem right over the horizon. Notice that here Haydn frequently doubles the melody in the first violins with the bassoon, not all that common, and testament to his skill at orchestra color.